9/15/2023 0 Comments Lut affinity photo![]() ![]() In that case, there are a few things missing in PL2 (discussed elsewhere). Maybe I'll buy a wide gamut Eizo monitor this year + Mac mini 2018 (now on iMac). Great program! As you I only leave PL2 for AP when I want to use things that are not in PL2 (like layers). As I said before, I hardly ever leave PL2 when working on my RAW files. ![]() Same here I really like DXO PL2 as my major RAW converter. Thnx! Good that you have such a blast in PL2. Then, the file goes back to PL2/Film Pack for the final touches which are so artistically achieved in DxO. Right now, I'm having such a blast in PL2 that I only use Affinity when I need layers, which is any time there is major pixel work to be done such as precision selection and layer masking or cloning, frequency separation for skin retouching, etc. That would work just fine, the way I see it. I don't do video at all (and don't plan to).only photography. I guess the same (pixel colours permanently modified upon export to AP this way). I wonder how the workflow would be the other way around.importing in AP / using LUTs.exporting to DXO Photolab. One more aspect I did not mention earlier, your color grading presets in Affinity can be converted to and exported as LUTs for use in Affinity and other software programs.Īt the moment I'm only using DXO Photolab and Affinity Photo. So, LUTs work in Affinity, DCP's work in DxO, and the two software programs play well together in common file formats such as DNG and TIFF. Once your LUT or DCP has been applied, and the file saved, the next software will read the color grading as native to the file, with no discernment of LUT nor DCP, as the pixel colors were permanently modified upon export. You can export/import between Affinity and DxO in TIFF, JPG and DNG, regardless of whether or not you have performed color grading via DCP or LUTs. I think I can not export from PL to Affinity Photo with DCP's I use in PL, because AP doesn't support DCP? Is this true? Do I have to choose between working in either PL or AP? In this case, that would only be usefull for Affinity Photo? I do not use any Adobe products anymore (although I still have a standalone version of LR 6 on my computer). ![]() I read many positive reviews about 3D LUT Creator. I do however use Affinity Photo every now and then. At the moment I'm not using LUTs or DCPs. So far, I can stay in PL for most of my images. I'm not sure I know how your workflow is when starting within Photolab. You can, however, use yourDxO PhotoLab presets as a base on which to create your LUTs in the above software. There are LUTs available for free online, and I found a free LUT creation tool here: I use LUTs in Affinity Photo, which, lol, does not support DCP. You can create and load as many DCP's as you like, and once you have applied a DCP to your image, you then can continue modifying your image colors using the various pallette items and save those modifications as presets within PL2. PhotoLab 2 does not support LUTs, but it does support DCP's which you can create for free, using X-Rite's free ColorChecker Passport Desktop Application. ![]()
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